“Alan Parks's thrilling debut teeters on a cultural tipping point: heroin is becoming Glasgow's drug of choice, Barlinnie seems to be run by hippies, one of McCoy's love interests is an outspoken feminist, and he can't get behind the new music--embodied by the androgynous David Bowie, who makes a wordless but tasty cameo in the book.”
Read the full review in Shelf Awareness.
