“Two years before leaving home my father said to my mother that I was very ugly. The sentence was uttered under his breath, in the apartment that my parents, newly married, had bought in Rione Alto, at the top of Via San Giacomo dei Capri. Everything—the spaces of Naples, the blue light of a very cold February, those words—remained fixed. But I slipped away, and am still slipping away, within these lines that are intended to give me a story, while in fact I am nothing, nothing of my own, nothing that has really begun or really been brought to completion: only a tangled knot, and nobody, not even the one who at this moment is writing, knows if it contains the right thread for a story or is merely a snarled confusion of suffering, without redemption.”

International praise for The Lying Life of Adults

“As you read, a vast panorama of characters slowly unfolds . . . a diverse and dynamic tableau of humanity. Once again, Elena Ferrante has not created a mere story but an entire world.”—Il libraio (Italy)

“[The Lying Life of Adults] has the magnitude of great literature—from Balzac to Stendhal to the always beloved Proust [. . .] It is a necessary book, which shows women that today they have the capacity to be ‘truthful, fierce, compassionate,’ where Lila and Lenù—narrowly confined within the 20th century—could not, or could only to an extent.”—Il Manifesto

“[The Lying Life of Adults] is highly addictive.”—Elle (Italy)

“Ferrante shows again how she is unbeatable.”—The Times (UK)

“I picked up [The Lying Life of Adults] saying to myself that I would only read a few pages and then stop. Instead, I finished it all in one go, switching off my phone and withdrawing from the world. It is pure reading pleasure, brimming with Ferrante’s narrative intelligence, sincere characters, and signature themes.”—Nadia Terranova on Linkiesta

“Reading a novel by Elena Ferrante is like coming home, like returning to those happy childhood moments—perhaps imaginary—when we asked mom or dad to tell us the same bedtime story over and over again. From the very first sentences, The Lying Life of Adults enfolds and absorbs readers in the same way.”—Vanity Fair (Italy)

“In a story where truths are revealed and constantly overturned and characters inspire in equal measure love and hatred, Ferrante’s voice is at once reassuring, unsettling, mesmerizing.”—La Stampa

“Like in the ‘Neapolitan quartet,’ Ferrante keeps us glued to the page, in awe of her capacity to create characters that have a life-like, almost physical quality—so much so that they keep resurfacing in our mind with stunning vitality even after the book is over.”—Rai Cultura

“A great novel, extremely dense and complex, to be savored page by page. [Ferrante] brings us to vertigo-inducing heights before returning us, greatly enriched, to our daily lives.”—Critica Letteraria

“Elena Ferrante is uniquely able to combine complexity and readability.” —Nicola Lagioia in La Stampa

“Elena Ferrante brings readers back to a world—who knows if it is autobiographical or entirely fictional—that book-after-book we have come to think of as hers. Naples is there from the start, and, most importantly, so too are the indissoluble, complex, painful bond between children and their parents.”—La Repubblica

“Ferrante has managed a seemingly impossible feat for those who spent many sleepless nights captivated by the intricate lives of Lila and Lenù: she makes us forget all about those two girls . . . From the first lines of the new novel, there’s only Giovanna.”—Libero

“[In The Lying Life of Adults] the relationship between Giovanna and her paternal aunt Vittoria is powerful and intense.”—ANSA (Italy)

“[Ferrante’s] prose, deployed with almost tender wisdom, is musical and linear, and plays with atmosphere and dialogue to shed light on her characters’ hearts, on their greatest hopes and burning disappointments.”—Il Messaggero (Italy)

Elena Ferrante
Elena Ferrante is the author of The Days of Abandonment (Europa, 2005), which was made into a film directed by Roberto Faenza, Troubling Love (Europa, 2006), adapted by Mario Martone, and The Lost Daughter (Europa, 2008), soon to be a film directed by Maggie Gyllenhaal. She is also the author of Frantumaglia: A Writer’s Journey (Europa, 2016) in which she recounts her experience as a novelist, and a children’s picture book illustrated by Mara Cerri, The Beach at Night (Europa, 2016). The four volumes known as the “Neapolitan quartet” (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child) were published in America by Europa between 2012 and 2015. The first season of the HBO series My Brilliant Friend, directed by Saverio Costanzo, premiered in 2018.