"The drama of Gabriële is less the life-and-death drama that drives The Postcard than the drama of biography, of how an unconventional life unfolds, and the drama of thought, specifically the ideas that change prevailing notions about mimetic art."
Frenchly
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"Like Gabriële herself, this book takes on big ideas about modern art and modern life—without losing sight of the people caught and crushed in those turning gears."
The New York Times
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