“Musings on memory, inheritance and betrayal are lightly woven throughout, while the era’s casual racism and misogyny, coupled with women’s unquestioning collusion in the objectification of their own bodies, stokes an atmosphere of growing unease...As satisfying a narrative as Pet is, lingering uncertainty is the source of its real power, enabling it to maintain its hold over the imagination long after the final page has been turned.”
Read the full review in The Guardian.
