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Sarah Treem, producer of "The Affair", tells the New York Times "I’ve been particularly influenced this year by the Elena Ferrante novels"

Newspaper, blog or website: New York Times
Date: Nov 18 2015

Q. Did you know from the beginning that you would tell the story in a nonlinear form? If not, at what point did you make that choice? What specific stories (books, movies, TV shows) that used nonlinear storytelling have impacted or interested you in some way? — Yolanda, Mexico

A. Yes, I did know from the beginning that we were going to tell the story in a nonlinear form. In terms of storytelling that was influential, I mean obviously “Rashomon,” the movie, was influential. There are other books and movies that were highly influential but don’t necessarily employ a nonlinear storytelling device.

I’ve been particularly influenced this year by the Elena Ferrante novels, the Neapolitan cycle. What I think is really fascinating about those novels is you’re highly aware as you’re reading them that you’re seeing the stories through the P.O.V. of Lenu, and that Lila has her own story that you’re kind of privy to, but also not. You become aware as you go further in the novels that Lenu’s perspective is deeply biased and heavily influenced by her insecurities. That’s always been the idea behind this kind of storytelling. That it’s not objective, and we don’t remember our lives as linear narratives. We remember pieces. We remember images.

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