Massimo Carlotto has been described as “the reigning king of Mediterranean noir” (Boston Phoenix), “more noir than even the toughest American noir” (Josh Bazell, author of Beat the Reaper), “about as gritty as they come” (The New York Times), and “the best living Italian crime writer” (Il Manifesto). Here, making his American debut, is Carlotto’s most famous and beloved serial character: ex-con turned private investigator Marco Buratti, a.k.a The Alligator.
Closing the door on a crime ridden past, Marco Buratti plans to spend the rest of his days in the darkness of a seedy nightclub sipping Calvados and listening to the blues. But things don’t quite work out as he planned: though he may be through with his past, his past isn’t through with him. When his gangster friend, Beniamino Rossini’s girlfriend is kidnapped, Buratti is forced to investigate a case of international drug dealing. He will be thrown headfirst into the underworld he had struggled to escape. Here, new and old criminal organizations collide and innocent bystanders are as hard to find as straight cops.
Marco “The Alligator” Buratti is not only one of the most fully realized characters in contemporary crime fiction but also the ideal vivisector of a world in which criminals hold all the cards.
Massimo Carlotto was born in Padua, Italy. In addition to the many titles in his extremely popular Alligator series, he is also the author of The Fugitive, Death's Dark Abyss, Poisonville, Bandit Love, and the forthcoming At the End of a Dull Day. One of Italy's most popular authors and a major exponent of the Mediterranean Noir novel, Carlotto has been compared with many of the most important American hardboiled crime writers. His novels have been translated into many languages, enjoying enormous success outside of Italy, and several have been made into highly acclaimed films. Author's official Web site (in Italian with English pages) Carlotto on the Mediterranean Noir movement Carlotto on J-C- Izzo Mediterranean Noir "Packs plenty of plot into a slim volume, with space set aside for elaborate northeast Italian meals, musings on women, and plenty of Calvados drinking." - The Daily Beast on The Master of Knots "Carlotto's taut, broody Mediterranean noir is filled with blind corners and savage set pieces." - The New Yorker on At the End of a Dull Day "Beneath the conventions of Continental noir is a remarkable study of corruption and redemption in a world where revenge is best served ice-cold." Kirkus (starred review) on Death's Dark Abyss