A New York Times Editors’ Choice

The English-language debut of one of the most exciting voices in contemporary Brazilian literature, The Tokyo Suite is a gripping exploration of the complexities of modern family dynamics and the tensions hiding just under the surface of ordinary lives. 

It’s a seemingly ordinary morning when Maju, a nanny, boards a bus with Cora, the young girl she’s been caring for, and disappears. The abduction, an act as impulsive as it is extreme, sets off a series of events that will force each character to confront their deepest fears and desires.

Fernanda, Cora's mother, is a successful executive who is so engulfed in her own personal crisis that she initially fails to notice her daughter's disappearance. Her marriage is strained, and she finds solace in an affair, distancing herself further from her family. Meanwhile, her husband, overwhelmed by the complexities of their domestic life, remains emotionally detached. As Maju navigates the streets of São Paulo with Cora, the “white army” of nannies, a term coined by Fernanda, seems to watch her every move, heightening her sense of paranoia and urgency. 

Madalosso’s narrative delves deep into the human psyche, examining themes of maternal guilt, societal expectations, and the search for personal identity. Rich and multi-layered, The Tokyo Suite is a poignant and gripping tale that captures the essence of modern urban life and the lengths to which people will go to reclaim a sense of control and meaning in their lives. 

Giovana Madalosso
Giovana Madalosso is a Brazilian writer and screenwriter, born in Curitiba in 1975. She has been a finalist for the Biblioteca Nacional Award and the São Paulo Prize of Literature. The Tokyo Suite is her English-language debut.

• Mar 31 2025
  

  "A compelling thriller."

  
  — Words Without Borders
• Mar 10 2025
  “Sharp and smoky.”
  — The New York Times Book Review
• Mar 5 2025
  “The Tokyo Suite explores what it means to search for oneself.”
  — Under the Radar
• Jan 9 2025
  ★ “Bitter and loving, eviscerating, suspenseful.”
  — Booklist
• Dec 28 2024
  “Modern, fractured, vivid.”
  — Kirkus Reviews